Eenadu–the view of comman man

kamal,venky

kamal,venky

There is a serious criticism in Tollywood that multi-starrers are not coming up now-a-days unlike earlier days, when stalwarts like NTR, ANR, Krishna, Krishnamraju and others used to act together in different films. Eenadu has come up on the Telugu screen giving a fitting reply to this criticism with Kamal Hassan and Venkatesh playing almost equally important roles. Unfortunately, there are no combination scenes with both of them and both of them appear on screen only during the climax for one shot.

 

Commissioner of Police Eeshwar Prasad (Venkatesh) gets a phone call from an anonymous caller (Kamal Hassan) about some explosives planted in different places. Without ruling out the call as a prank in the wake of bomb blasts in Lumbini Park and Gokul Chat, Eeshwar Prasad immediately informs the chief secretary (Lakshmi) to the government and summons her to his office, with a plea not to search for protocol. After she reaches his office, he explains the situation to her and takes permission to handle the situation.

The caller demands the release of four terrorists and in order to prove that he has planted bombs, he gives a hint to the police that a bomb is kept in Lakdi-ka-Pul police station. The bomb disposal squad rushes to the place and is in a confusing state on how to defuse it. The caller himself reveals the way to defuse the bomb. Later, he narrates his demand to release four hardcore terrorists from jail. As per his demand, the four terrorists are taken to Begumpet airport. Two police officers Gautham Reddy (Bharat Reddy) and Arif (Ganesh Venkataraman) accompany the terrorists.

kamalthink

kamalthink

On learning that the group has reached the spot, the caller wants to send them to a jeep waiting for them. However, Arif keeps one of the terrorists as hostage with a view to extract the information about the explosives from the caller. But the caller insists to kill that terrorists. With no option left, the commissioner orders to kill that terrorist. Did the police get any clue about the anonymous caller? Why did the caller demand the release of the terrorists? Did they get freedom? What happened to the terrorist who was kept as hostage by the escort police officer? Was the commissioner able to catch the caller? Did he really keep bombs and terrorize the people? Answers to all these questions form part of the climax. 

PERFORMANCE: 

Venkatesh has stolen the limelight with his excellent performance and has made the audiences remember his famed police story Gharshana. His physique, body language, dress code everything perfectly suits the role. Moreover, he has given an exemplary performance as a sincere police officer, who is very serious in handling a tough situation. His stylish performance in ordering his subordinates make the audiences give a wide applause. Similarly, the other police officers Bharat Reddy and Ganesh Venkataraman too have done a great job. While Bharat Reddy’s character has a slight mix of comedy, by talking to his wife who is going to her mother’s place, like any other ordinary family man, Ganesh Venkataraman has shown his excellence as a Task Force cop, who can handle any situation just with his looks and behaviour. The way in which he gets the confession from a goon who supplies the RDX material to the unknown caller is fantastic. Kamal Hassan, however, has failed to reach the expectations with his average performance. In fact, he could not show the intensity of his character and appeared too casual. 

kamal with bomb

kamal with bomb

TECHNICAL:

Debutant music director Shruti Hassan has shown an average performance. The re-recording is relatively poor in taste and there are no songs, thanks to the serious subject. There is a playback song which has been tuned well. Cinematography by Manoj Soni is just above average. Most of the film has been shot with Red Eye camera. Neelakanta who has penned dialogues for the film is not so impressive and they appear to be true translation of the original. Editing part is okay. Direction by Chakri Tholeti is not that good as he has not used his mind totally and has concentrated on copying the original. But for Venkatesh’s performance, the film is not so interesting. 

ANALYSIS:

Remaking of a film in other languages will always draw comparisons and this film proves no exception to it. But for Venkatesh’s performance, the film has failed to please the Telugu audiences. The film has no mass elements to pull crowds to the theatres, while the class audiences, most of whom have already watched the Hindi original, will naturally draw comparisons and understand that Kamal has been wasted in the character and that he has in no way proved to be a good replacement for Naseeruddin Shah. For those who did not watch A Wednesday, the Hindi original, Eenadu is worth a watch. 

 Kamal Hassan, Venkatesh, Bharat Reddy, Ganesh, Poonam Kaur, Lakshmi, Sivannarayana and others are in the cast. 

Credits: Dialogues – Neelakanta, Music – Shruti Hassan, Cinematography – Manoj Soni, Editing – Bhagat, Producers – Kamal Hassan, Chandra Hasan and Rony Screw Wala, Screenplay and direction – Chakri Tholeti. 

Banner: Raj Kamal Films International and UTV Motion Pictures. 

Released on: September 18, 2009

Venkatesh--eenadu

Venkatesh--eenadu

Cast:

 

Tags: eenadu, venkatesh, kamal hassan, chakri tholeti, shruti hassan, ganesh, bharat reddy, poonam kaur, lakshmi, sivannarayana.

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Dasavataram

(Rama avatar – Avatar Singh) – Lord Rama stands for the one man one woman maxim, kind of symbolising true love..

Here Avatar portrays that spirit by saying that he loves his woman more than anything and wants to live for her.

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Kalki avatar – Govindaraj Ramasamy As you know, the hero in kaliyug can be none other than the Kalki avatar!!!

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(Balarama avatar – Balarama naidu )[As the name suggests and the role personifies Balaram naidu RAW officer and helps to kill the villain

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( Krishna avatar - Vincent Poovaraghavan ) Lord krishna is actually a dalit, he is dark-skinned [shyamalam]. He saved draupadi when she was being violated and he was the actual diplomat in mahabharatham. Lord krishna dies of an arrow striking his lower leg. Now look at how vincent was introduced.. he appears when asin is about to be molested and he saves her like draupadi. Vincent is the dalit diplomat, fights for land issue [soil issue to be exact] and dies from the metal rod striking his leg. Oh even five of vincent’s men are drugged at P. Vasu’s.. sounds familiar???

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(Parasurama avatar – Christian Fletcher ) – Parasurama is actually on an angry killing spree and killed 21 generations of the particular kshatriya vamsa. Hence the real KILLER… Guess what thats what our Fletcher is! He comes around with the gun [modern upgrade for axe] and kills everyone around

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( Vamana avatar – Kalifulla khan ) – Remember in vamana avatar, lord vishnu takes the vishvaroopa, that is the giant form! Hence the giant kalifulla here symbolises vamana avatar

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(Narasimha avatar – Shingen Narahashi ) – first of all the name itself is a play on the words singam [means lion in tamil] and narasimha [the avatar being symbolised]. Lord Narasimha manifests himelf to kill the bad guy and he also teaches prahaladha. In the movie, he shows up to kill the killer fletcher! and is also a teacher.. Lord Narasimha had to kill the asura with bare hands and hence the martial arts exponent here..

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(Varaha avatar – Krishnaveni paatti ) – In varaha avatar lord actually hides earth so as to protect life forms. Here too krishnaveni hides the germs – life form inside the statue so as to protect.

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( Koorma avatar – Bush ) – The real koorma avatar, the lord is the turtle/tortoise that helps in stirring the ksheera sagara and bringing out the amruth. This essentially creates war among the devas and asuras. Similarly today Bush facilitates war between you know whom… May be Kamal also indicates that this avatar is a bit dumb like the tortoise…

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( Macha Avthar – Nambi ) – nambi is thrown into water in an act of trying to save lord from being thrown into sea…

 

 

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Bollywood news

deepikaDeepika Padukone and Ranbir Kapoor (TOI Photo) More pics
This Kapoor scion has what it takes — good looks, plenty of chutzpah and acting acumen — which puts him way ahead of his peers. He also has impeccable manners and a sense of modesty, which make him all the more endearing.

That’s Ranbir Kapoor, the Bollywood sensation, who, after sweeping the pretty maidens off their feet, has now bagged yet another best debut award in Bangkok. In a heart-to-heart with PT, Ranbir shares his thoughts…

How do you plan to celebrate after winning the best debut award in Bangkok?

We celebrated all night after the awards function. But, my private celebration will begin by going back to work. After every such recognition, people’s expectations from you increase and you have to work harder to live up to them.

Ever since your arrival in the film industry, you have made quite a few stars insecure…

Some people said Saawariya was a flop film, but I am getting recognition because of that film. I don’t think anybody is insecure because of that. I don’t even dwell on such things. The industry is big enough to accommodate everyone.

We saw a love-struck Ranbir Kapoor in Saawariya. How different is your next film Bachna Ae Haseeno going to be?

Saawariya was about love in its eternal form. Nothing can be more pure or pristine than that, while Bachna Ae…is about love in its practical form. It’s a film that the youth of today will be able to identify with.

You are also doing Prakash Jha’s film Rajneeti, which is based on stark reality. Aren’t you scared to deviate from the tried and tested romantic genre?

Not at all! You can’t categorise films into narrow genres. I have always admired Prakash Jha’s style of working and his kind of cinema. I am actually looking forward to doing his film, which portrays life in its realistic form.

Ever since you and Deepika Padukone came together, you have won a lot of awards, including the Filmfare Award. Is she your lucky mascot?

I won’t say she’s my lucky mascot! I did Saawariya before we started seeing each other. And, I have got all the awards due to that film and not because of someone who’s in my life.

How do you make time for each other with such hectic work schedules?

It’s not easy! But, when you are in a relationship, you have to make time for the person you love. We meet as and when possible. This award function in Bangkok was a boon in disguise, because she was there too. But, there are other ways of communicating — through internet and cellphone.

You have been tagged as a mama’s boy. Does that bug you or please you?

Of course, I am proud of the fact that I am closest to my mom. She’s the most important person in my life, and I can do anything for her.

How do you stay so rooted in this day and age when people get carried away by a whiff of success?

I guess it’s because I have been brought up in a family where success and failure are treated with equal nonchalance. So, I don’t believe in changing as a person just because I have got a big project or an award.

Bollywood today is divided into different camps. Any chances of you starting a Kapoor camp?

A camp is formed when you are comfortable working with a particular group of directors. I am too new for that, and I want to work with all of them. Maybe a couple of years down the line, I will be able to answer this.

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